Live and Let Die is the second official outing for James Bond, the world's most famous fictional spy created by Ian Fleming. Bond is put well and truly back in the saddle after a slow recovery from his near-fatal torture in the previous book, Casino Royale. Gold coins from an infamous pirate horde are turning up and they appear to be funding the nefarious activities of a gangster known as "Mr Big" - who has been trained by SMERSH, the Soviet Intelligence Agency and sworn enemy of 007. Mr Big oversees a huge network of minions who are terrified of him, believing him to be the incarnation of a Voodoo spirit. Bond is sent first to Harlem, where he teams up with his old CIA pal, Felix. No sooner do they start to sniff around when they are captured by Mr Big who warns them off in no uncertain terms and also introduces Bond to Solitaire, a beautiful woman with second sight. They head off to Florida, where things get messy and Solitaire and Bond become involved (no shock there!), and the final scenes are set in Jamaica. As you would expect with 007, there is violence, danger and plenty of action - punctuated with the details of food and drink, landscape (Jamaica is particularly well-described), clothing and guns. These descriptions and the language used in this book definitely place it in its time. This is a book that would not be written in the same way today. If you are not able to get past what might be seen as racist terminology, and the inevitable dodgy love scene, then you would be wise to skip this book altogether. This would be a shame, as the climax to the book is a real humdinger. The Bond books are short on length but full of excitement. I can thoroughly recommend the audio edition read by Rory Kinnear, which I raced through at a fine gallop due to a pre-Christmas car journey.
My STAR rating: THREE (due to the language which is uncomfortable for a 21st Century reader).
Length: 336 print pages.
Price I paid: £5.99.
Formats available: print; unabridged audio download; ebook.
Oh the early 1950s were a different time indeed! Next up, Moonraker and a story in print that is a far cry from Roger Moore's late 70s futuristic film incarnation. I look forward to hearing what you think of this.
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