Monday, 29 August 2016

The Hare With Amber Eyes - a slow burner

Some books grip you from the very first paragraph and others are slow burners. The Hare With Amber Eyes: A Hidden Inheritance definitely sits in the latter category. When the author,  Edmund De Waal, inherits 264 netsuke from his great uncle Iggy, he becomes curious as to how this collection found its way into his life. As he starts to trace their history, his investigations reveal the lives of the owners too ... and so an inheritance of objects becomes an inheritance of his family. And what a family ... his ancestors were the Ephrussi family - who originally came from the Ukraine but found fortune in wheat and later banking in Odessa. They spread out to Paris, Vienna and Tokyo. Their wealth allowed them to indulge in beautiful things, and so the netsuke collection was born. Over the course of a tumultuous century, which saw an explosion of anti-semitism, this Jewish family went from the highest high, to the lowest low, having to up sticks and leave everything behind to escape with their lives. The story of how the netsuke collection was preserved is amazing. As one of the world's leading ceramic artists, the author unsurprisingly imparts the intrinsic beauty of the netsuke to the reader with great skill, a skill which carries over into his descriptions of place and time. We are on the same journey as the author, following each and every discovery which opens the door a little more into the lives, loves and troubles of his ancestors. The reader cannot help but be drawn into the Ephrussi family dramas as they unfold. The story becomes so absorbing that as you go further and further into it, you find it harder and harder to put down. It seemed to take me ages to get going, but once I was a third of the way through, I was hooked. I can heartily recommend this book to anyone who loves history, family or art.

My STAR rating: FOUR.

Length: 354 print pages.
Price I paid: £0.20 from a church fete.
Formats available: print; unabridged audio download; ebook.

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